Shomini Sen

I have to admit I’ve had the Marvel Superhero fatigue for a while now and have even avoided watching some of the studio’s recent offerings. There are too many now, and everything seems to be having an Avengers hangover. Just when I was about to write off Marvel Cinematic Universe, the studio has sprung a surprise with Thunderbolts- a film that is aware of the weight of fatigue that it carries but turns the Avengers sub plot on its head and delivers a refreshing take on the super hero world post the exit of the Marvel stalwarts. The film, directed by Jack Shreier and featuring Sebastian Stan, Florence Pugh and others, also tackles mental health in the most effective way possible in a story of reluctant, has-been superheroes.

The timing is unintentionally perfect. Emraan Hashmi starrer military biopic Ground Zero releases just days after the horrific Pahalgam terror attack in Kashmir. While the film is set in the early 2000s and talks of a BSF commandant, Narendra Nath Dhar Dubey, the film is set in Kashmir – a state that is being discussed widely at present. The situation from the early 2000s to the present day may vary, but the enemy – terrorism remains the same. But despite its relevance to the nation’s current mood, Ground Zero is a typical military biopic that Bollywood has churned out in dozens since time immemorial. Does the film leave a defining impact? Let’s find out.

A day before Kesari Chapter 2 was released in theatres, the film’s leading hero, Akshay Kumar, who plays Sir C Sankaran Nair in the film, urged the media at the film’s premiere to not miss the film’s beginning. While Kumar has a point since the first scene depicts the Jallianwala Bagh massacre in great detail- which serves as the backdrop of this courtroom drama, it still is a difficult scene to watch. The Jallianwala Bagh massacre has been represented in books, films, and poems for years now. The tragedy shook the Indian conscience back then and till date continues to be one of the biggest blunders that the British committed while they ruled over our country. Director Karan Singh Tyagi’s film Kesari Part 2 highlights the incidents that followed the massacre and how a certain anglicized advocate who had received Knighthood for his pro-British work changed sides and spoke up against the brutality.

There are good films, not-so-good films and then there are Salman Khan films. Unless one is an ardent fan of the actor, one has to tread with caution when one is watching a Salman Khan film. You know you must ignore logic, practicality and even technical finesse while watching Salman’s films. His latest Eid release, Sikandar, has Salman Khan once again in a larger-than-life role, flexing muscles at regular intervals and helping those in need at other times. But is the AR Murugadoss film worth a watch? Let’s find out. In a world of evil politicians and corrupt officials, Sikandar aka Sanjay Rajkot is a man of principles and a do-gooder. He may not follow the rules, has cases piled up against him, but he is revered as the King of Rajkot, and his people (praja) are ready to fight for him in order to protect him. A mid-air scuffle with Prateik Babbar- who plays the son of a Mumbai politician- leads to the cops and the politician himself go after him. In Rajkot, the authorities are not able to touch him. He has an army to protect him. However, one fateful night, his wife, Sai Shree (Rashmika Mandanna), gets killed. Mourning her death, Sikandar then goes to Mumbai to meet the recipients of his dead wife’s organs, but with goons, politicians and police after him- will he be able to meet the recipients and help them forms the rest of the story.

Police vs the underworld is a trope that Indian cinema has adapted too many times. An honest officer trying to clean the system even as he and his force are outdone by smart crooks who are hand in glove with the powerful leaders is a story well too familiar. Netflix’s new series Khakee: The Bengal Chapter falls in a similar category- where an honest and brave IPS officer is out to clean up the city- in this case Kolkata- even as his work is hindered by powerful leaders and local crooks. Showrunner Neeraj Pandey and directors Debatma Mandal and Tushar Kanti Roy shift the cop drama from rural Bihar (The first part was Khakee: The Bihar Chapter) to the underbelly of Kolkata where goons and politicians work hand in hand and run a nexus of organ trading, kidnapping, real estates and more. Everyone knows that the system is corrupt and people in government are involved but the honest are scared to raise an alarm while the local goons want a piece of the pie.

The trailer of Nadaaniyan- which marks the debut of Saif Ali Khan and Amrita Singh’s son Ibrahim Ali Khan in Bollywood opposite Sridevi’s daughter Khushi Kapoor - had given us all enough hints at how bland a film it would be. When I sat down to watch the movie, my expectations were already low considering that the trailer looked unimpressive. But the film, helmed by Shauna Gautam and backed by Karan Johar’s Dharmatic, is far lower than what I had expected it to be. A two-hour bland romance drama, Nadaaniyan makes Gen Z -the film’s target audience- look dumb, dumber, dumbest, and its lead characters one dimensional with zero sense of rationale and practicality.

A series of events and misadventures transpiring over the course of a night is a trope that Bollywood has used in many films. Some have been mystery thrillers and some situational comedies. Netflix’s new film Dhoom Dhaam falls in the latter category where a newly married couple - Prateek Gandhi and Yami Gautam- are on the run from alleged goons across Mumbai - both looking for a certain Charlie. Filmmaker Rishabh Seth merges chaos and comedy- again a tried and tested combination- and delivers a light breezy situation comedy that brings in the laughs and makes you enjoy the 108-minute-long film. Arranged marriages are scary and especially when you barely get to spend time with your partner before tying the knot. Yet scores of people willingly jump in only to be left surprised or disappointed by their partners. Koyal(Yami Gautam Dhar) and Veer (Pratik Gandhi) are one such couple. She pretends to be shy, he is actually shy and while the parents think they are a match made in heaven, they have a lot of revelations in store on their wedding night.

The beauty of Sanya Malhotra’s latest Mrs lies in the little nuances in the screenplay. The film never fully spells out the issues, yet it’s the little moments, an expression here and a dialogue there that give out the message loud and clear. Making a remake of a critically acclaimed film comes with a huge amount of expectations. Mrs is based on 2021’s critically acclaimed Malayalam film The Great Indian Kitchen which had earned praise worldwide. The Malayalam film is still fresh in the minds of many, so making a Hindi version so soon may feel unnecessary. Yet, the Hindi language remake Mrs is an important film which speaks a universal language. Filmmaker Arati Kadav takes up the challenge and delivers a deeply impactful film that may resonate with many viewers personally.