Sanyukta Thakare

Written and directed by Vikram Bhatt, the film is a fictionalised version of the story of Ajay Murdia aka the founder of a chain of fertility clinics, Indira IVF. According to reports the film has incorporated some real facts about his life and career in the screenplay. The film explores a legal case, where he is accused of an attempt to murder one of his younger board members, while the memory of his dead wife gives him hope to not give up. With a run time of over two and a half hours, the film feels longer than necessary between, flashbacks, songs and more. Led by Anupam Kher as Ajay Murdia, the film begins with a news montage of how he is accused of attempting to murder, while a court proceeding grants him bail in the matter. His lawyer played by Eesha Deol is seen flying with him to Udaipur, so the family can decide how to move forward with the case. While Ajay wants to brave the storm along, he isn’t left behind by his kids who also decide to stick by him till the end. Soon it is evident, that the young board member is trying to frame Ajay Murdia in the case and his life was never in danger.

The Netflix film takes place in a dystopian past where the world was taken over by a war with robots and turned the world into a different kind of machine obsessed society decades ago. Set in the 90s the film explores what happens when robots take over everyday activities, gain conscious awareness and decide this is their world too. A war breaks out and one evil is replaced with another. The film is reportedly based on Simon Stalenhag’s illustrated book of the same name. However, reports have revealed that the makers took creative liberty with the tone and aesthetic of the film which is far from the original material. The film has its own version to offer but the source seems way more cooler. Netflix’s film is more focused on being a child’s film enjoyable by the adults while be wholesome and also sharing its deeper message of human bonding. However, if the reports are true and the film has been using AI without considering its impact and consequences, then the irony of the film loses its impact totally. Millie Bobby Brown’s film begins amid the war with machines, where her character Michelle’s brother is taking a test for college applications. He is deemed a genius who has the potential to save the world and humans from the war against machines. However, just as their lives were about to get better, the family ends up in an accident and Michelle is the only one who survives.

John Abraham film is based on a true story but the makers do take liberties with the storytelling. Directed by Shivam Nair the film focuses on the thriller tone while exploring the victim’s story instead of the outcome since it’s already known. Inspite of the lack of action and punchy dialogues which is what John is known for in the recent years, the actor gives a commendable yet subtle performance. The film begins with a woman from the mountains of Pakistan being escorted to the Indian embassy. The makers from the first shot make it known that she isn’t coming from a good place, other women she comes across are beaten and bruised while the men carry guns and would use them as easier as their arms. She is taken to the embassy by her husband and another man along with him. They wait for the embassy to open and as soon as her husband leaves her side and the doors open, Uzma Ahmed presents her Indian passport demanding she be led inside and that she’s in need of dire help.

The film based on real incidents follows the group of friends who decide to bring real cinema to their small town after realising Mumbai is out of their reach. Directed by Reema Kagti, the film focuses on their progress as filmmakers but also their friendship. It keeps the film rounded and about the people which the story is meant to be about than the industry. However, through out the run time, the film does stray from the point long enough for the ending to feel out of place. In the end, it is the performances that win. The film begins with the story of a group of young boys in Malegaon who would drop everything to get a glimpse of the stars on the big screen. While one of them runs a theater, another is part of a wedding video team, one is a writer and more. However, not all of them are working towards their career is films but still are obsessed with the stories just as much. Nasir when asked to buy film reels for the theatre finds out how to make copies and decides to make his own cut of action comedies to show at his theatre. They become an instant hit in his town but are shut down because of piracy.

Crazxy led by Sohum Shah follows after the actor’s biggest hit Tumbbad. While the new release is nothing close to the fantasy horror, it does bring a new and unique concept to the big screen. However, the promotional material from the film does not line up with the real concept nor does it bring the right expectations from the film. The misdirection adds to the mystery but doesn’t last long as the plot turns predictable early one. The film’s climax also leaves much to be desired despite the concept. The film begins with Sohum Shah getting ready with a massive bag on his way to the hospital, getting bombarded with calls about reaching on time. Early on, the makers establish that Sohum’s character Abhimanyu isn’t the good guy. He is set up at the obnoxious ex-husband, a terrible father and a doctor who does not care much for the patients. He is about to settle a big case, and pay for his life with the 5 crore in his car, and move on with his new girlfriend. However, one phone call changes it all.

Daredevil has returned once again to the small screen, making his office debut for his solo series. The show, led by Charlie Cox, will also be following the story of Vincent D’Onofrio’s Kingpin aka Fisk. Daredevil’s return to the MCU is after the long-running series and spin-off like Defenders on Netflix. The series was dropped a couple of years ago, but Cox made several appearances in other MCU films and projects including Spider-Man No Way Home, Echo, She-Hulk and more. Moving forward with Kingpin’s Arc through the MCU and Daredevil’s past in the Netflix show, the new series is all set to pit them against each other in a new setting. With Fisk as Mayor of New York, and Murdock hanging up his suit, the city brings out the worst in both of them.

The film based on a short story by Stephen King gives a take of its own but twist of comedy and creativity liberties to cover for a feature film’s run time. Directed by Osgood Perkins known for his recent release Longlegs, has turned for another horror but this time it comes with a comedy twist. The film led by Theo James follows the story of twins, who didn’t get much from their father, but a haunted Monkey toy. But its not a toy, its like an ‘Evil thing’. Everyone is the safest when the monkey isn’t beating the drum it came with, but the amount of gore in the film, nobody is safe. The film begins with Adam Scott aka Petey Shelburn Sr trying his best to return the Monkey to a shop but is unable to as its next victim as soon as it plays the drums, a chain reaction ends up claiming the live of the shop owner. Leaving it behind isn’t enough for Petey and he decides to use a flame thrower to melt it down but years later it safely finds its way to Petey’s twin kids. It is unclear what happened to Petey, but with everything that goes on in the film, it really could have ended any way for him.

Nadaaniyan set to mark the debut of Ibrahim Ali Khan turns out to be a story about high schoolers and their troubles with love and life. However, the film sets off the story without a theme and attempts to use everything woke all at once, while treating its female character like apologetic pick-me-up girls. The film treats the adult actors as teenagers, but they behave like they are in college and are of age while also looking to get into university abroad. The film seems like it was written for US based audience, but forgets to cater to its own market. The film begins with Kushi’s self-indulged introduction about her character Pia Jaisingh, but with each line it gets harder to tell if she is talking about her character or herself. The film attempts to create this self-aware humour of their privilege, but it begins to feel more obnoxious with each scene. After a long summer vacation, Pia returns to Delhi’s most privileged school, which has screens in the cafeteria and hallways so the principal can talk to the students. Her friends are upset with her for not showing up at the bonfire before summer and for talking to a guy who is off limits.