Sangeetha Devi Dundoo

Nine years after SS Rajamouli’s Baahubali – The Beginning left viewers curious about why Kattappa killed Baahubali, a spate of films have been mounted ambitiously, with scope for sequels. This has turned out to be a double-edged sword. While filmmakers get the scope to present in-depth character delineations and build the world in which the story unfolds, there has also been a tendency to overstretch the narrative. A few questions are left unanswered, with the hope that the audience will wait in anticipation of a sequel.

When a man who wears his masculinity on his sleeve laments at how his son is growing up, displaying feminine traits, his wife tries to make him understand the importance of accepting an individual’s natural expression of gender. This segment and the portion that follows gives writer-director Hasith Goli’s Telugu film Swag the much-needed emotional anchor. Until then, the narrative is like a satire, with elements of farce and ‘absurd theatre’ as the several characters played by Sree Vishnu and the dual characters of Ritu Varma slug it out to assert the power of male versus female.