Sachin Chatte

Directed by Sameer Vidwans, the film Tu Meri Main Tera Main Tera Tu Meri is proof that a film and it’s title can be overwhelmingly long. The title itself gives us adequate warning and feels like an endurance test, and the film faithfully lives up to it. By the midpoint, which feels like an eternity, one realizes that only half of the title has been addressed.

When Avatar (2009) came 16 years ago, it broke new ground on many fronts, especially with the visual effects. Although it took some time for the sequel, The Way of Water (2022), to arrive, but because the story was set in a familiar world and technology had advanced sufficiently by then, it didn’t have the same appeal as the original.

The Maddock supernatural universe is growing at a pace that surpasses the Big Bang. The achievements of Stree, Bhediya, and Munjya have led to the introduction of a new character, Thamma. This film, directed by Aditya Sarpotdar, who previously delivered the sleeper hit Munjya last year, presents fairly conventional content and storytelling.

Based on the screenplay by Charlie Huston, who also authored the original novel in 2004, Caught Stealing is a crime caper that smoothly shifts gears, culminating in a climax that will largely leave you feeling satisfied, as the end credits begin to roll.

Directed by one half of the Safdie brothers, Benny Safdie, The Smashing Machine is inspired by the true story of wrestler and mixed martial arts fighter, Mark Kerr. Although it follows a conventional biopic format, the narrative and the themes it delves into sets it apart from others. Safdie, in his debut solo directorial effort, rightfully earned the Best Director award at the Venice International Film Festival a couple of months ago. Under the direction of a different filmmaker, this narrative could have easily veered off course.

In light of the tremendous success of Kantara (2022), it was inevitable that another film would follow. Kantara: Chapter 1 serves as a prequel and is characterized by its larger scale, and heightened ambition. With a runtime of nearly 3 hours, the filmmakers have opted for a grand approach, and as a visual experience, Chapter 1 certainly delivers. However, it does feel somewhat excessive and might have benefited from a more trimmed version, but then it is what it is.

Paul Thomas Anderson’s One Battle After Another serves as a reminder that it is the same director behind There Will Be Blood (2007), although this film ventures further into uncharted territory. It encompasses political themes, satire, action, and family drama. Above all, this film showcases the filmmaker’s mastery of his craft – from the musical score to the cinematography, there is an abundance of elements to appreciate in this work.

A decade is a significant interval between the release of the first and second feature film - it took a long time coming but it arrived well. After he made his debut with Masaan (2015) which resonated deeply with audiences, Neeraj Ghaywan has produced another remarkable film with Homebound, a work that is rich in empathy and emotion.