Keyur Seta

Khalid Ka Shivaji (Marathi movie with a good amount of Hindi) tells the story of Khalid (Krish Raj More), a fourth standard student. He stays with his father Hayad (Priyadarshan Jadhav), mother Ruksana (Snehalata Tagde) and grandmother (Sushama Deshpande) in a small village in Maharashtra. His family is struggling to make ends meet. Khalid and his rest of the class is taught the story of Chhatrapati Shivaji Maharaj eliminating Afzal Khan. Khalid’s classmate Ganya (Ankur Wadhave) is highly arrogant since his father (Khemraj Bhoyar) is the village Sarpanch. After learning the aforementioned story in the class, Ganya mocks Khalid as ‘Afzal Khan’ since the latter is a Muslim. Ganya is joined by a number of other students.

Border 2, like its predecessor Border (1997), throws light on the Indian defense forces’ bravery during the 1971 India-Pakistan war. But unlike the 1997 film, this one focusses on different characters who took part in the war. Major Hoshiar Singh Dahiya (Varun Dhawan) of the Indian Army, Flight Officer Nirmal Jit Singh Sekhon (Diljit Dosanjh) of the Indian Air Force and Lieutenant Commander Mahendra S Rawat (Ahan Shetty) of the Indian Navy become thick friends during their training days at the National War Academy. They share a respectful relation with their trainer Lieutenant Colonel Fateh Singh Kaler (Sunny Deol).

Ikkis is primarily about a young man who fought the 1971 India-Pakistan war and attained martyrdom. In a typical Hindi war film, we would have shown his life from childhood or teenage years to him joining the army, fighting for the nation and ultimately sacrificing his life for the country. But Ikkis isn’t a typical war film by any means. Along with portraying the martyrdom of the young man, the film gives equal importance at giving an anti-war message through the track of Dharmendra and Jaideep Ahlawat. It says loudly without saying much – ultimately there are humans on both sides of the border who die during a war. And the film achieves this even while showing the bravery of a young martyr.

The film revolves around a 99-year-old Marathi school in Alibaug called Krantijyoti Vidyalay Marathi Madhyam. The school is everything for its Principal Shirke sir (Sachin Khedekar). But currently, the school doesn’t have any future. The state government has ordered to raze the school as, according to them, its lease period is over and the structure of the building has become weak. The plan is also to make an English medium international school in its place. This has happened to thousands of Marathi schools in Maharashtra.

Daayam, which is a Malayalam film, takes place in a town in Kerala. Kalyani (Aathira Rajeev) is going through the most emotionally challenging period of her life after her mother passed away a few days back in the most unexpected manner. Her house is full of relatives as they need to complete a few rituals for the departed. There are murmurs about all not being well between her mother and father Raghu (Pradeep Geedha) in recent times. Kalyani mentally takes stock of these situations as she tries settling into a new life with her father.

Since more than a decade, mainstream Hindi cinema has seen a number of films about spies on secret missions for the sake of the country. The aforementioned story of Dhurandhar might also sound similar to some past Hindi movies. But the film stands apart when it comes to the treatment. Instead of including high-octane and larger-than-life action stunts, glamour and dialogue baazi, it relies on a narrative more on the realistic side. Of course, there are creative liberties being taken but they are believable. What sets Dhurandhar apart is also the main content. One won’t find spy activities between both countries as the center point. The film is more about the politics and mafia of Pakistan with the issue of terrorism kept in the background for a majority of the duration, especially in the first half. Dhar should be commended for the research on this topic and choosing to explore it, which hasn’t happened before. This also makes it advisable to do some research on the underworld of Lyari and its connection to Pakistan’s politics before watching the film.

Gondhal, which is written and directed by Santosh Davakhar, gets the viewers transported into the interiors of the village and the ceremony of Gondhal in a thoroughly impressive manner. It does that through a long one-take shot that not only follows different characters perform different tasks but also in presence of over 100 junior actors in a large open area. Veteran cinematographer Amalendu Chaudhary makes his presence felt in various other shots as well. No stone is left unturned when it comes to portraying the ceremony and its various aspects. One can find even minute detailing with regards to the rituals, costumes and production designing.

The film starts off in 1967 in a town in Uttar Pradesh. Shazia Bano (Yami Gautam Dhar), a young girl full of life, gets married to the lawyer Abbas Khan (Emraan Hashmi). She is happy with choosing him as her life partner. She gives birth to two children and is pregnant with the third. This is when Abbas goes on a three-week visit to Pakistan to settle some property dispute in their ancestral place.