Janani K

Sivakarthikeyan, despite being one of the celebrated mainstream heroes in the Tamil film industry, continues to surprise everyone with his script choices. His last few films, while fitting into the commercial tropes, have also stood out for their storytelling. Will ‘Madharaasi’, his latest collaboration with director AR Murugadoss, add to his success streak? Let’s find out! Raghuram (Sivakarthikeyan) is an orphan with a traumatic past. While battling delusion syndrome, love strikes him. As Malathi (Rukmini Vasanth) enters his life, he changes for good. Meanwhile, NIA officer Prem (Biju Menon) and his team are on a mission to stop a notorious North Indian gang involved in a weapon smuggling syndicate. Virat (Vidyut Jammwal) and Chirag (Shabbir Kallarkal) are leading the syndicate’s plan to smuggle arms into Tamil Nadu. Prem’s failed mission and Raghu’s unsuccessful suicide attempt bring them together. Prem hatches a plan to stop the arms from entering the state. Raghuram gets entangled in this mission. Will he be helpful to Prem? Will Raghuram and Malathi end up together? What happens to Virat and Chirag’s mission? All these and more are answered over the course of two hours and 48 minutes.

Mohanlal’s ‘Hridayapoorvam’, one of the popular Onam releases this year, featured a scene where a fan claiming to know Malayalam cinema talks highly of Fafa aka Fahadh Faasil. He tells Mohanlal, one of the legends of Malayalam cinema, that FaFa is the best. A day later, FaFa’s ‘Odum Kuthira Chadum Kuthira’ hits theatres. You expect everything the fan said. Eyes, expressions, and everything. But Fahadh’s film bores you so much that you contemplate walking out of the theatre. Now, that’s a sentence I never thought I’d say as a critic. The night before the wedding, Nidhi (Kalyani Priyadarshan) tells her fiance Aby Mathre (Fahadh Faasil) about a dream that she has been having for the past few days. Nidhi is a woman who looks at dreams as signs and goes to the extent of realising them. The dream is about Aby arriving at the wedding on a white horse. Aby gives in to her fancies and finds a horse with the help of his coworker Anurag (Anuraj OB).

Superhero thrillers in Malayalam are rare to come by. After the phenomenal success of ‘Minnal Murali’, the genre was nowhere to be seen. Now, director Dominic Arun has revived it with ‘Lokah Chapter 1: Chandra’. He blends a Malayalam folklore with the superhero genre, more prevalent in the West, to gift viewers the best of both worlds. Is ‘Lokah Chapter 1: Chandra’ a worthy addition to the superhero genre? Let’s find out! Chandra (Kalyani Priyadarshan), a mysterious woman with superpowers, arrives in Bengaluru on a mission involving Moothon. The city faces a spate of missing person cases linked to organ trafficking. Chandra takes a bakery job and displays odd habits, while three curious young men living opposite her become fascinated by her.

It’s always heartwarming to see your yesteryear stars, who once made you fall in love with cinema, still continue to give you movies that not only achieve commercial success but are also backed by powerful content. 2025 has been phenomenal for Malayalam superstar Mohanlal, who gifted ‘L2: Empuraan’ - a film that took on right-wing politics - and followed it up with ‘Thudarum’, a delicious thriller based on a father-son duo. ‘Hridayapoorvam’ is his third release of the year and a potential hat-trick. But has it struck gold? Let’s find out! Sandeep Balakrishnan (Mohanlal) is a heart transplant survivor living in Kerala, where he runs a cloud kitchen. Months after his recovery, Haritha (Malavika Mohanan), daughter of his heart donor (Colonel Ravi), arrives in Kerala to invite him for her engagement in Pune. Chaos strikes, the engagement gets called off and Sandeep along with his attender Jerry (Sangeeth Prathap) are forced to stay at Haritha’s home.

A police officer on suspension. A serial killer is on the loose. A murder that hits home. A personal tragedy that blinds the police. All these plot points could set the foundation of a gripping crime thriller, if done well. Director Sabarish Nanda’s ‘Indra’ has all of it, yet the film only reaches for the low-hanging fruit, so much so that the makers seem content with the bare minimum. Indra (Vasanth Ravi) struggles with alcoholism. His addiction and rage get him suspended, and he even leads to the loss of his eyesight. He and his wife Kayal (Mehreen Pirzada) are facing marital troubles. However, the loss of eyesight brings them closer as they wait for a transplant. During this time, Kayal is murdered at home while Indra sleeps in another room. The pattern of the killing points to a serial killer.

Women-led films don’t always have to be about a woman being belittled by everyone around her, only to later rise as someone who rides bikes in the Himalayas. A women-led film can also be about learning and unlearning - discovering that the world beyond their cocoon presents opportunities. How to make use of this vast world of opportunities is up to each individual. But the important underlying message is that they have a choice. A choice that lets them spread their wings and fly, or simply feel the freedom of having options. That is what director Praveen Kandregula’s ‘Paradha’ is all about. Subbu (Anupama Parameswaran) belongs to the fictional village named Padathi, where women, who have hit puberty, have to wear a veil till they die. This superstitious belief is told to the villagers as the story and curse of the deity, Jwalamma. If the paradha (veil) is taken off, wilfully or unintentionally, the woman has to face death. Hold on! A ritual followed by death.

2025 has been an unusual year for spectacle films (barring a few, of course), not just in Kollywood, but across the industry. ‘Coolie’, one of the most hyped films of 2025, with an amazing ensemble cast, was marketed as what could be the next big outing this year. It had every single ingredient to make it the next pan-India biggie. Director with an impeccable record - check. Rajinikanth - check. A diverse star cast. Check. The film spans multiple timelines and locations. Rajasekhar’s (Sathyaraj) death leaves his elder daughter Preethi (Shruti Haasan), and her two sisters struggling. His long-time friend Deva (Rajinikanth), who runs a mansion house, comes to pay his last respects, but Preethi lashes out and asks him to get out. Days later, Deva finds out that there is more to Rajasekhar’s death than meets the eye.

A film that hinges on brotherhood and a man’s/woman’s larger purpose in life has to get one aspect right. And, it’s not the scale or the music. It’s the emotion. You need to connect and resonate with the characters on-screen to feel their pain and joy. However mediocre the story might be, if the emotion connects, the film lands! Director Gowtam Tinnanuri’s ‘Kingdom’ promised to be a story of brotherhood, a spy thriller and a lot more. Has it cracked the magic formula? Let’s find out! ‘Kingdom’ begins in the 1920s, with a tribe called Divi fighting against the British. The tribe fails in the fight with the hope that a saviour will arrive to put off their worries. 70 years later, we see Suri (Vijay Deverakonda), a constable searching for his elder brother Siva (Satyadev). Siva fled after killing their abusive father and ran away from home. His attempts to find Siva land him in a covert mission.