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Avinash Ramachandran

The New Indian Express

Avinash Ramachandran has been an entertainment journalist for over seven years now, specializing in the review of films, series, shorts, and documentaries. His primary focus is on South Indian cinema, although he also regularly engages with Hindi and English films, as well as occasionally exploring foreign films. He has written for The New Indian Express, South First, and is currently writing for The Indian Express.

All reviews by Avinash Ramachandran

Image of scene from the film Lucky Baskhar

Lucky Baskhar

Drama, Thriller, Crime (Telugu)

A terrific Dulquer Salmaan powers this brilliant Venky Atluri film

Thu, October 31 2024

Venky Atluri spins a fascinating tale involving banking, and scams, and Dulquer Salmaan ensures everything sails smoothly despite hitting a few road bumps.

Legendary American poet Maya Angelou once wrote, “When great trees fall in forests, small things recoil into silence…” Dulquer Salmaan’s latest film Lucky Baskhar is about one such small thing that decided to brave its fears, and find a way to survive when the tree of the great banking scam of the 90s fell. Of course, we have seen multiple iterations of this story through series like Scam 1992 and films like The Big Bull. But what Venky Atluri does in Lucky Baskhar is that he isn’t telling the story that everyone is focused on. He conjures up a story of a man who is caught in the crosshairs and decides to do something about it. Now, it is fictional, but it could have been true. And it is this thin line between fiction and reality that truly makes Lucky Baskhar a terrific watch.

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Image of scene from the film Black

Black

Mystery, Thriller (Tamil)

Jiiva, Priya Bhavanishankar shine in a gripping, intriguing melange of genres

Sun, October 13 2024

Powered by compelling performances and a strong technical team, director KG Balasubramani presents to us a very knotty affair, and does a decent job of unravelling it all.

The best part of Black is how it reels you in right in the first ten minutes. The film starts in 1964. There is a couple eloping with the help of a friend (Vivek Prasanna). It is raining like crazy. Their journey is briefly interrupted by a vehicle in the ditch. This vehicle carries a marble statue of a guardian angel. There is thunder and lightning. Soon enough, this friend, who has sinister intentions, hears two gunshots. He rushes in to ask the couple what happened? Cut to black. Literally. The title credits pop up, and we are in 2024.

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Superman

Comedy, Crime, Thriller (Malayalam)

Hundred Days Hundred Films Ep 5

Tue, October 1 2024

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