Avinash Ramachandran

Gentleman cadet Mukund Varadarajan is marching along with his batchmates during his passing out parade. During this march, an animated Indhu Rebecca Varghese shouts out the name of the love of her life. She also runs around to catch a glimpse of Mukund, who is one among the soldiers passing out. GV Prakash Kumar’s rousing score primes the scene for a romantic high. She is jubilant, happy, ecstatic, and sports a smile that reaches her eyes as Mukund marches with a straight face.

Legendary American poet Maya Angelou once wrote, “When great trees fall in forests, small things recoil into silence…” Dulquer Salmaan’s latest film Lucky Baskhar is about one such small thing that decided to brave its fears, and find a way to survive when the tree of the great banking scam of the 90s fell. Of course, we have seen multiple iterations of this story through series like Scam 1992 and films like The Big Bull. But what Venky Atluri does in Lucky Baskhar is that he isn’t telling the story that everyone is focused on. He conjures up a story of a man who is caught in the crosshairs and decides to do something about it. Now, it is fictional, but it could have been true. And it is this thin line between fiction and reality that truly makes Lucky Baskhar a terrific watch.

The best part of Black is how it reels you in right in the first ten minutes. The film starts in 1964. There is a couple eloping with the help of a friend (Vivek Prasanna). It is raining like crazy. Their journey is briefly interrupted by a vehicle in the ditch. This vehicle carries a marble statue of a guardian angel. There is thunder and lightning. Soon enough, this friend, who has sinister intentions, hears two gunshots. He rushes in to ask the couple what happened? Cut to black. Literally. The title credits pop up, and we are in 2024.