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Guild Reviews

Image of scene from the film The Sheep Detectives
The Sheep Detectives

Comedy, Family, Mystery (English)

George Hardy is a shepherd who reads detective novels to his beloved sheep every night, assuming they can't possibly understand. But when a mysterious incident disrupts life on the farm, the sheep realize they must become the detectives. As they follow the clues and investigate human suspects, they prove that even sheep can be brilliant crime-solvers.

Cast: Hugh Jackman, Emma Thompson, Nicholas Braun, Nicholas Galitzine, Molly Gordon, Hong Chau, Tosin Cole, Kobna Holdbrook-Smith, Conleth Hill, Mandeep Dhillon
Director: Kyle Balda


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Sonal Pandya | Times Now

Hugh Jackman's Murder Comedy Surprises, Enchants In Best Ways

Fri, May 8 2026

Directed by Kyle Balda, the murder comedy is an engaging feature the whole family can enjoy.

The film adaptation of The Sheep Detectives manages to surprise you on several fronts. Yes, it has talking animals but the concept is not cloying but rather essential to this mystery about the death of a shepherd. As the feature delves to uncover the killer, the characters charm and delight as they mill about the vast English countryside. Written by Craig Mazin, the movie goes beyond the murder to explore themes of death, grief and family. With punchy jokes and lots of physical comedy, The Sheep Detectives is a heartwarming film that everyone can dig into.

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Image of scene from the film Lukkhe
Lukkhe

(Hindi)

A young sportsman infiltrates the wild and dangerous world of Punjab's rap music to investigate a drug syndicate, only to find himself torn between love, family, guilt and brotherhood.

Cast: Raashii Khanna, Palak Tiwari, Lakshvir Saran, Shivankit Singh Parihar, Nakul Roshan Sandev, Kritika Bhardwaj, Yograj Singh, Ayesha Raza Mishra
Director: Himank Gaur


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Udita Jhunjhunwala | Mint writing for Scroll.in

Some highs in an overly ambitious show about drugs, rap music and crime

Fri, May 8 2026

Set against the restless, neon-tinged underbelly of Chandigarh and soundtracked to Punjabi rap, Lukkhe wants to be many things at once. The Prime Video show created by Agrim Joshi and Debojit Das Purkayastha is a rap saga, a crime thriller, an addiction drama and a story about broken young people trying to regain their footing. Intoxication, violence and tragedy are embedded in this world. Remorse, revenge and redemption follow.

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Image of scene from the film Patriot
FCG Rating for the film Patriot: 61/100
Patriot

Thriller, Action (Malayalam)

When a famous Malayali YouTuber tries to expose a corrupt regional politician from Kerala and his malpractices, he is soon forced to go on the run and clear his name of all the false allegations that are levelled against him.

Cast: Mammootty, Mohanlal, Fahadh Faasil, Kunchacko Boban, Nayanthara, Revathi, Zarin Shihab, Rajiv Menon, Darshana Rajendran, Renji Panicker
Director: Mahesh Narayanan
Writer: Mahesh Narayanan


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Vishal Menon | The Hollywood Reporter India

Patriot stays slick across its 180-minute runtime — miles away from greatness,

Fri, May 8 2026

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Anmol Jamwal | Tried & Refused Productions

A reunion not worth the wait

Sun, May 3 2026

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Janani K | India Today

Mammootty is invincible, Mohanlal-Fahadh Faasil boost spy drama

Sun, May 3 2026

Director Mahesh Narayanan's Patriot, starring Mammootty, Mohanlal and Fahadh Faasil, is a surveillance thriller that exposes the perils of spyware installed in civilians' tech devices. With intelligent writing and a grounded vision, it is spy cinema done right — minor shortcomings and all.

What does a spy thriller warrant in 2026? Pan-India ambition, big scale and even bigger stars? That’s mostly what most directors are aiming for. But Mahesh Narayanan does the unthinkable with Patriot — a largely engaging intelligence procedural featuring the Big M’s of Malayalam cinema and most of the industry’s popular faces. He keeps it grounded, letting the story lead rather than the stardom or pan-India ambition. The film begins with Dr Daniel James (Mammootty), a scientific analyst who works for the government agency DRW. A false case pushes him to quit and fly to London, where he runs a YouTube channel called Vimathan — meaning dissident — through which he exposes how civilians are being monitored via their laptops and phones.

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Image of scene from the film Dug Dug
FCG Rating for the film Dug Dug: 73/100
Dug Dug

Comedy, Music (Hindi)

Mysterious events in the wake of a freak motorcycle accident sow the seeds of a new religion.

Cast: Altaf Khan, Gaurav Soni, Yogendra Singh, Durgalal Saini, Sarvesh Vyas
Director: Ritwik Pareek
Writer: Ritwik Pareek


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Rahul Desai | The Hollywood Reporter India

An Audacious and Inventive Social Satire

Fri, May 8 2026

Ritwik Pareek’s debut feature deftly captures an India at the intersection of hope, fate and privatised faith

The first ten minutes of Dug Dug are intoxicating. A precarious scene of a drunken man (Altaf Khan) riding his rickety Luna down the highway at night is filmed like a dapper motorbike ad: a poetic voiceover, shots synced to a trippy guitar-riff score, an endless stretch of road, aerial sweeps, a lit cigarette, slick lighting, a “Ride Free” surge of adrenalin. You’d think he was ripping an Enfield; he looks invincible. It plays out like a hero-intro sequence. His name carries that punch too: Thakur. But it’s actually a hero-exit sequence. The spell breaks. The man dies in a gruesome accident; the hoarding of a magician is partly responsible. To be fair, he wasn’t even a hero. He is, by all accounts, an anonymous statistic: a lone figure relegated to the margins of public memory.

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Rohan Naahar | Independent Film Critic and Akhil Arora | akhilarora.com

A Spotify Review

Fri, May 8 2026

Dug Dug, the long-delayed satirical comedy from director Ritwik Pareek, doesn’t take its intriguing premise to the pinnacle. We discuss the film’s languid opening act that has little to do with the following hour. We also talk about its commentary on blind faith and superstition, and wonder why it doesn’t train its targets on bigger enemies, choosing instead to punch down.

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Sukanya Verma | rediff.com

A Brilliant Satire

Thu, May 7 2026

Ritwik Pareek's debut feature film, Dug Dug, offers a brilliant satirical and philosophical exploration of the fine line between faith and foolhardiness

A lone rider makes his way into the eerily empty night speeding across a remote road of Rajasthan. Shrouded in darkness, our only impression of this drunk dude is the existential crisis in the voiceover’s monologue, ‘Manzilen mili unhi ko jo raaste mein hain goom.’ Babbles of a stoned fool or prophetic words of a sage mind? Dug Dug lets you decide after the dangerously dizzy ride meets its crashing end right before magician P P Sharma’s pulpy art poster eyes. Despite repeated attempts to confiscate the deceased’s bike by local cops, the blue and pink Luna keeps miraculously resurfacing at the exact same spot it was first found. As the moped earns divine status, word spreads far and wide and droves of believers flock the site-turned-shrine with offerings of beer, beedi and big bucks.

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Image of scene from the film Retirement Plan
Retirement Plan

Animation (English)

Disillusioned with his life, Ray dreams of the beauty and joy he will find in retirement.

Cast: Domhnall Gleeson
Director: John Kelly
Writer: Tara Lawall, John Kelly


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Kriti Tulsiani | WION

This Oscar nominated short film reminds us to seize the day in just seven minutes

Fri, May 8 2026

Oscar nominated short film Retirement Plan is the perfect antidote to jolt you out of that constant feeling of overwhelm and return to what is - the present.

At a time when social media is flooded with information on varying topics, digital distractions compete with everyday tasks for attention, and plans are only in the making, John Kelly’s film Retirement Plan is the perfect antidote to jolt you out of that constant feeling of overwhelm and return to what is - the present. The animation by Marah Curran and Eamonn O’Neill is just as simplistic yet moving as the premise - a man leaving some basic and some extravagant plans for a future he is certain he will have. But life, unlike fiction, rarely follows a coherent plot. What is particularly moving is that in under seven minutes, we get to be with a man whose journey from the present day to the afterlife has countless relatable moments. And even though Ray is in his retirement, the appeal of the story certainly goes beyond age.

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Image of scene from the film Krishnavatar Part 1: Hridayam
FCG Rating for the film Krishnavatar Part 1: Hridayam: 65/100
Krishnavatar Part 1: Hridayam

Romance, Drama (Hindi)

An epic devotional narrative that reimagines the journey of Lord Krishna, tracing his path from Dwarka to Kurukshetra after parting ways with Radha. As his journey unfolds, it explores his connection with people, his layered personality, and the lessons he imparts about love and life.

Cast: Siddharth Gupta, Sushmitha Bhat, Sanskruti Jayana, Nivaashiyni Krishnan, J. Karthik
Director: Hardik Gajjar
Writer: Hardik Gajjar, Raam Mori, Prakash R. Kapadia


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Bharathi Pradhan | Lehren.com

Krishna Consciousness Awakened

Thu, May 7 2026

A spate of animation films on Ganesha, Hanuman and Narasimha have intermittently caught the fancy of the Indian audience. Here comes a film with real actors slipping into the roles of Lord Krishna, the three prominent women in his life, Radha, Rukmini and Satyabhama, and a sprinkling of family members. One of the biggest runaway successes at the plush Nita Mukesh Ambani Cultural Centre in 2024, was the spectacular musical Rajadhiraaj: Love. Life. Leela, dancing and singing with Lord Krishna from Vrindavan to Dwarka. It was scripted by Raam Mori. Retaining the colours and the playful ambience of the play, Ram Mori joins hands with writer-director Hardik Gajjar and co-writer Prakash Kapadia to tell more stories about Lord Krishna (Siddharth Gupta), this time on the big screen.

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Upma Singh | Navbharat Times

मनमोहक है सत्यभामा के प्रेम में पगी यह कृष्ण लीला

Thu, May 7 2026

बॉलीवुड में इन दिनों रामायण और महाभारत जैसी पौराणिक कथाओं को पर्दे पर उतारने की ओर एक विशेष रुचि दिख रही है। श्रीराम पर जहां प्रभास स्टारर ‘आदिपुरुष’ आई, वहीं अब रणबीर कपूर की ‘रामायणम्’ भी स्टारकास्‍ट और महाबजट को लेकर खूब सुर्खियों में है। वहीं, इस बीच श्रीकृष्ण लीला पर नए कलाकारों वाली फिल्म ‘कृष्णावतारम् पार्ट 1 (हृदयम)’ ने बिना ज्यादा हो-हल्ला के स्क्रीन पर दस्तक दी है, जो दर्शकों को भक्ति भाव में भिगोने के साथ एक मनमोहक सिनेमैटिक एक्‍सपीरियंस भी देती है।

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Image of scene from the film Batchmates
Batchmates

Drama (English)

When four wide-eyed first-year students enter the world of engineering, they undergo a rude shock as they face the harsh realities of college life.

Cast: Bindu Madhavi, Sindhu Reddy, Anthony Karthik, Geeravani Reddy, Sai Sriraam Vemparaa
Director: Anu Prasad


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Srivathsan Nadadhur | Independent Film Critic writing for M9 News

Only Fresh Faces, No Freshness

Tue, May 5 2026

After their troublesome Intermediate years, Sammy, Milky and Sid are all pumped up for their engineering life. On day one, Sid is instantly attracted to Goldie, an NRI girl and gifted dancer. She turns out to be his classmate and soon joins their gang. But while they are being ragged, the gang earns the wrath of a senior, Suhas, who starts harassing Goldie. Sai Sriram Vemparaala looks right for the part, is confident and has a camera-friendly presence. The girls in the gang, played by Sindhu Reddy and Geervani Reddy, are just about okay. Anthony Karthik fails to tickle your funny bones while Bindu Madhavi, in a cameo-like role, passes muster and is expected to have more prominence in the later episodes.

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Image of scene from the film Ek Din
FCG Rating for the film Ek Din: 44/100
Ek Din

Romance, Drama (Hindi)

Rohan is in love with his colleague Meera but does not have the courage to express his feelings towards her. He finally gets his chance during the company trip. He makes a wish to be with Meera for just one day, and his wish comes true.

Cast: Junaid Khan, Sai Pallavi, Kunal Kapoor, Pragati Mishra, Kavin Dave
Director: Sunil Pandey
Writer: Sneha Desai, Spandan Mishra


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Arnab Banerjee | Indpendent Film Critic writing for The Daily Eye

BORROWED LOVE FADES TOO SOON

Sun, May 3 2026

Hindi remake of the Thai romantic drama One Day, questioning whether its poignant premise, emotional performances, and picturesque Japanese setting can overcome a romance that struggles to truly resonate.

They say it is the mere conception of an idea—the first glimmer of narrative possibility—that sets a journey in motion. In the realm of creativity, that initial spark is often so invigorating that one feels half the battle is already won, especially when the ambition is to tell a story that reaches beyond the self and resonates with a wider audience.

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Anmol Jamwal | Tried & Refused Productions

A remake has never been so dull

Sun, May 3 2026

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Anuj Kumar | The Hindu

Sai Pallavi makes this tender romance quite a day to remember

Sat, May 2 2026

Sai, who is making her Hindi debut with the film, is the heartbeat of this delicate romance that feels like a sincere wish fulfilled for viewers craving silence, subtle emotions, and quiet chemistry in their cinescape

At a time when the box office menu is brimming with masala entertainers, Ek Din tastes like a palate cleanser, blending mood and memory with a touch of magic. A gentle, heart-tugging alternative to spectacles and morally twisted love stories, the film leans into a quiet, introspective, and emotionally tender atmosphere. Set amidst the corroding corporate culture, where relationships tend to be transactional, it explores how a single shared memory or a single day of connection can feel like an entire relationship. Not a fantasy but a light whimsical sprinkle that makes the impossible feel real, raising questions about identity, fate, truth, and what lingers when everything else fades.

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Image of scene from the film Raja Shivaji
FCG Rating for the film Raja Shivaji: 46/100
Raja Shivaji

Action, History, Drama (Marathi)

Chronicles the rise of young Shivaji Bhonsale, who challenged the might of established empires to found the Maratha kingdom and lay the groundwork for 'Swarajya' (self-rule) during a turbulent period of Indian history.

Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedekar, Genelia D'Souza, Vidya Balan, Bhagyashree, Fardeen Khan, Jitendra Joshi
Director: Riteish Deshmukh
Writer: Riteish Deshmukh


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Anmol Jamwal | Tried & Refused Productions

Let’s cast friends and family

Sun, May 3 2026

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Sachin Chatte | The Navhind Times Goa writing for Medium

Broad but Cautious Canvas

Sun, May 3 2026

Raja Shivaji — written, directed, and produced by Riteish Deshmukh — has released in both Hindi and Marathi. Interestingly, history repeats itself: back in 1952, the legendary Bhalji Pendharkar made Chhatrapati Shivaji, which was also released in both languages (and featured a cameo by Lata Mangeshkar). This new film similarly features a cameo by a major star, which stands out as one of its highlights — though the film itself otherwise follows a fairly predictable path. Worth noting: the Marathi version runs 8 minutes longer than the Hindi cut I watched, though the nature of those additions remains unclear.

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Keyur Seta | Bollywood Hungama writing for The Common Man Speaks

Focuses more on being a masala entertainer

Sun, May 3 2026

Raja Shivaji leaves no stone unturned when it comes to recreating the bygone era. The production design and costumes are both eye-pleasing and appropriate for that period. The visual quality is further enhanced with the camerawork of the veteran cinematographer Santosh Sivan. However, the film suffers when it comes to the crucial aspects of writing and direction. The screenplay lacks proper flow as a large number of events are presented in a haphazard manner, especially before Riteish’s late entry. Things get streamlined once he enters the scene but only to some extent. The narrative comes somewhat on track once the battle lines are drawn between the protagonist and Afzal Khan but their all-important meet gets stretched.

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Image of scene from the film The Devil Wears Prada 2
FCG Rating for the film The Devil Wears Prada 2: 66/100
The Devil Wears Prada 2

Comedy, Drama (English)

Andy Sachs returns to Runway as Miranda Priestly navigates a new media landscape and Runway's position within. The duo reconnect with former assistant Emily Charlton, now the head of a luxury brand that possesses funding which could ensure Runway's survival.

Cast: Meryl Streep, Anne Hathaway, Emily Blunt, Stanley Tucci, Kenneth Branagh, Justin Theroux, Simone Ashley, Lucy Liu, Tracie Thoms, Tibor Feldman
Director: David Frankel
Writer: Aline Brosh McKenna


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Sachin Chatte | The Navhind Times Goa writing for Medium

Is That All?

Sun, May 3 2026

The hardest part of making this sequel to the thoroughly enjoyable 2006 original was probably getting the cast together — once Meryl Streep, Anne Hathaway, and Emily Blunt were signed on, the film was essentially sold. The screenplay, however, tells a different story: it feels like an afterthought. The film is charming, and the trio — along with the supporting cast — is a genuine pleasure to watch, but there’s little beneath the glossy surface. Unless name-dropping Gucci, Chanel, and their ilk is enough to keep you entertained, don’t look for much more. Fans of Miranda Priestly (Meryl Streep) and her former assistant Andy (Anne Hathaway) from two decades ago will find this a breezy reunion. Remarkably, neither actress appears to have aged a day — and the same goes for Emily Blunt and Stanley Tucci.

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Udita Jhunjhunwala | Mint

Sequel manages high expectations

Sat, May 2 2026

This glossy, fun sequel with Meryl Streep and Anne Hathaway is also a commentary on print media struggling in the digital age

The original 2006 film adapted from the novel by Lauren Weisberger, was a glossy workplace comedy that quickly became much bigger than its premise of a stressed assistant navigating fashion’s most terrifying boss. Inspired by Weisberger’s own experiences in magazine publishing, the David Frankel-directed film presented a sharp, endlessly quotable pop culture favourite with influence that stretched beyond cinema into fashion, and internet meme history, with Miranda lines like “That’s all” and “By all means, move at a glacial pace.”

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Upma Singh | Navbharat Times

Sat, May 2 2026

बॉलीवुड हो या हॉलीवुड, पुराने-आइकॉनिक फिल्मों के सीक्वल लाने का दौर इन दिनों दोनों ही जगह जोरशोर से चल रहा है। हालांकि, दर्शकों की यादों का हिस्सा रहीं यादगार फिल्मों के रुतबे को गिनती के ही सीक्वल कायम रख पाते हैं। इस मामले में मेरिल स्ट्रीप और ऐनी हैथवे स्टारर बेहद पॉपुलर फिल्म ‘द डेविल वियर्स प्राडा’ का सीक्वल मूल फिल्म के कद को भले नहीं छू पाता, लेकिन अतीत के नॉस्टैल्जिया और आज की मीडिया जगत की चुनौतियों के सुंदर मेल के कारण मनोरंजन की कसौटी पर खरा उतरता है।

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Image of scene from the film Undekhi S04
Undekhi S04

Crime, Drama (Hindi)

Show depicts the two aspects of the society - the power-drunk influential people who think they can get away with anything and the oppressed, subjected to years of torture, who finally decide to bring themselves to justice

Cast: Surya Sharma, Ankur Rathee, Ayn Zoya, Vaarun Bhagat, Harsh Chhaya, Dibyendu Bhattacharya, Anchal Singh, Shivangi Singh, Meenakshi Sethi


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Srivathsan Nadadhur | Independent Film Critic

Oldschool Gangster Saga Works in Parts

Sat, May 2 2026

Five years after the turbulence within the family, the powerful Atwals are at war among themselves. Papaji, after his jail time, still tries to pull strings to keep his crown. Meanwhile, Rinku teams up with his real father, Mahinder, to take over the family business. As their crimes grow darker, DSP Ghosh returns for one last mission to solve the mounting mysteries. The performances, just like the writing, are standard and basic. They work, but there is nothing special about them. Among the cast, Ankur Rathee’s acting style feels very modern compared to the rest. His expressions and responses are precise and stay true to the show’s world. Surya Sharma’s physique and personality make him an obvious choice to play Rinku, but the performance lacks vigour, which is partly due to the role itself.

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Sonal Pandya | Times Now

Manali Crime Thriller Grows Laboured With Exhausted Revenge Saga

Fri, May 1 2026

The crime drama returns for another dense instalment that pits uncle and nephew on opposite sides of the conflict.

Created by Deepak Segal, Swati Patnaik, and Shreyashi Mukherjee, Undekhi started out as an insightful commentary on power, wealth and corruption. The first season hit it off on all cylinders, but this latest season has devolved as it has essentially recycled storylines to create a wedge between the once-close Papaji and Rinku Atwal. Directed by Ashish R Shukla, the once-familiar characters become one-note in their mission to get at the truth. But the one-promising Hindi thriller keeps hitting a reset button with every season.

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Image of scene from the film Glory
FCG Rating for the film Glory: 51/100
Glory

Drama, Mystery, Action & Adventure (Hindi)

In a small-town boxing hub, two brothers investigate a shocking murder while navigating a troubled reunion with their father, a renowned coach.

Cast: Divyendu Sharma, Pulkit Samrat, Suvinder Vicky, Sayani Gupta, Ashutosh Rana, Jannat Zubair Rahmani, Sikandar Kher, Vishal Vashishtha, Kunal Thakur, Kashmira Pardesi
Director: Karan Anshuman, Kanishk Verma


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Srivathsan Nadadhur | Independent Film Critic writing for M9 News

Novel Sports Drama, Flawed but Watchable

Sat, May 2 2026

Brothers Dev and Ravi return home to Shaktigarh to find the person who brutally attacked their sister Gudiya. In pursuit of truth, they have a hard time dealing with their cold, distant father, Raghubir Singh. Their search leads them through a dangerous world of rival boxing clubs, undercover missions, and police chases. As Ravi fights his way towards Olympic trials, they also uncover a web of secrets. The casting choices and the performances in the show are generally neat. Apart from the chocolate boy looks, Pulkit Samrat’s athleticism is a major advantage for his portrayal of Ravi; you naturally buy his zeal to succeed in the boxing ring. Divyenndu Sharma plays the troubled, disgruntled son with assurance. His body language and expressions suggest what the character may have endured for years.

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Nonika Singh | The Tribune

Hard punches, not knockout Glory

Sat, May 2 2026

The series forces us to contemplate how often the quest for name and fame comes at a great cost

A web-series rooted in Haryana’s inimitable terra firma around one of its favourite sports: boxing. Yet ‘Glory’ isn’t your regular sports drama, or a story of an underdog making it big. Marrying murder mystery with the shenanigans of the game, which is at once dangerous and thrilling, the seven-episode series too treads the same path. In the very first episode, we are witness to the murder of a gifted boxer, Nihal Singh (Yugam Sood). An Olympic gold contender, he decides to elope with his girlfriend Gudiya (Jannat Zubair), daughter of his coach Raghubir Singh (Suvinder Vicky). Coming from the land where female foeticide and honour killings are rampant, you smell a rat. And the guessing game begins.

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Upma Singh | Navbharat Times

ग्लोरी नसीब होने से रह गई दूरी

Sat, May 2 2026

OTT पर खेल की पृष्ठभूमि पर कम ही शोज आए हैं। ऐसे में, क्रिकेट और मैच फिक्सिंग पर एमी नॉमिनेटेड सीरीज ‘इनसाइड एज’ बनाने वाले फिल्मकार करण अंशुमान अब नई सीरीज ‘ग्लोरी’ के साथ बॉक्सिंग रिंग में उतरे हैं। हालांकि, यहां जितने मुक्के रिंग में चलते हैं, उससे कहीं ज्यादा चाकू-छुरी, बम-धमाके उसके बाहर होते हैं, क्योंकि असल में यह सीरीज बॉक्सिंग के इर्द-गिर्द बुनी गई एक इन्वेस्टिगेटिव क्राइम थ्रिलर है। 50-55 मिनट के 7 एपिसोड की यह सीरीज दिखाती है कि एक इंसान अपने सपने और महत्वाकांक्षा को पूरा करने के लिए किस हद तक जा सकता है।

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