Guild Reviews
Sinners
Drama, Horror, Thriller (English)
Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
Cast:
Michael B. Jordan, Miles Caton, Hailee Steinfeld, Wunmi Mosaku, Jack O'Connell
Director:
Ryan Coogler
Writer:
Ryan Coogler
Sinners Is Just So Much Fun!
Sat, April 19 2025
Blues before Sunrise
Sat, April 19 2025
Since his acclaimed debut film, Fruitvale Station (2013), and the subsequent Black Panther installments, Ryan Coogler has adeptly transitioned from independent cinema to high-budget productions, establishing himself as a director of significant interest. In an era where quality standalone films are increasingly scarce in Hollywood, overshadowed by a flood of sequels and superhero narratives, it is refreshing to to encounter a film like Sinners, which reflects a writer/director’s desire to convey a story rather than conform to studio demands.
Naangal
Drama, Family (Tamil)
It's the 1990s, in a sleepy hillside town in Southern India there is a cavernous mansion surrounded by plantations, inside three preadolescent brothers live with their German shepherd. They buy the groceries, lug water up the slopes in plastic cans, get each other ready for school and lend a hand to workers on the estate. The boys may practically run the house, but the lord of this forsaken domain is their father, a ruthless martinet whose mere sight frightens them to the core.
Cast:
Mithun V, Rithik M, Nithin D, Abdul Rafe, Prarthana Srikaanth
Director:
Avinash Prakash
Writer:
Avinash Prakash
(Writing for The Federal)
A haunting memoir of Tamil brothers, steeped in childhood trauma
Sat, April 19 2025
In Avinash Prakash’s Tamil feature film Naangal which premiered at the International Film Festival Rotterdam this week, time is stretched by a limited set of events as if perched on a non-stop Ferris wheel. They are the same moments with their ups and downs, same life-altering triggers that repeat in a cyclical fashion. Three preadolescent siblings — Karthik (Mithun V, eldest, 13 years old), Dhruv (Rithik Mohan) and Gautam (Nithin D) — live somewhere near Lovedale in the hills of Tamil Nadu with their father (Abdul Rafe as Rajkumar) who owns plantations, a house too huge for four individuals and is the Chairman and Principal of their modest school.
Dispassionate Yet Profoundly Moving Film Hits Home With Phenomenal Force
Sat, April 19 2025
Epic in length - it has a runtime of nearly four and a half hours - but squarely focused on the minutiae of the life of three boys and their excessively stern father, Naangal (This Is Us) is an exceptional piece of cinema. Calling it a piece of anything would be somewhat incongruous - it is far larger than that. Naangal - the Tamil film is part of the Asian Cinema Competition at the ongoing 15th Bengaluru International Film Festival - is a striking and sweeping collage of innumerable shards of memory, mostly unsettling, collated and rendered in the form stunning images underwired by a fantastic background score and strung together with impressive skill and imagination. Written, directed, shot and edited by Avinash Prakash, Naangal has the look of a work helmed by a seasoned director. But it is a debut film. A deeply personal essay, its length is bound to be commented on. What is important is that the time that Naangal takes to tell a story that spans about a decade seems completely justified. Growing up is never easy particularly when home isn’t what it is meant to be - sweet home.
A heart-rending memoir of childhood trauma and coming to terms with it
Sat, April 19 2025
Cwtch, which means embracing someone to offer a sense of warmth, is a famous Welsh word some of us might be familiar with. An inter-title before Naangal commences introduces us to another one word — Hiraeth — which means homesickness for a home one cannot return to or one that never existed. Very rarely can an entire film’s plot, conflict and resolution be summed up in a word, and director Avinash Prakash establishes precisely that in the first frame of his film, which also doubles as his biographical. With Naangal, Avinash puts us in the middle of three brothers’ traumatic yet transformative upbringing in a dysfunctional family. Rajkumar (Abdul Rafe) is a man whose once-affluent family is now bankrupt. After parting ways with his wife and some financial setbacks, he has become the chairman of a run-down school. With no place to assert dominance, he takes it out on his three children — Karthik (Mithun V), Dhruv (Rithik Mohan) and Gautam (Nithin D) — who stay with him and are forced to endure his physical and emotional torture. What happens when their resilience gets tested forms the rest of Naangal.
Chhaava
History, Action, Drama (Hindi)
Shivaji's death sparks the Maratha-Mughal conflict. His son Sambhaji leads resistance against Aurangzeb's forces. Amid battles and intrigue, both sides face challenges in a struggle for power.
Cast:
Vicky Kaushal, Rashmika Mandanna, Akshaye Khanna, Ashutosh Rana, Divya Dutta
Director:
Laxman Utekar
Writer:
Kaustubh J. Savarkar
Vicky Kaushal’s worrisome streak hits an all-time low; who’ll take responsibility for inciting violence?
Sat, April 19 2025
One of Javed Akhtar’s favourite stories to tell is about fishing. Regardless of the venue — it could be an international seminar or one of those ‘naastik parishad’ meetings that he enjoys attending — he regales the audience with a carefully constructed bit about why fishing is considered a relaxing recreational activity while hunting is mostly outlawed across the world. The only reason for this, he declares in his punchline, is because fish don’t have vocal chords. They can’t shriek in agony when they’re pierced by a hook, scaled alive, and left to suffocate. Fishing has great PR, as do the folks behind the blockbuster film Chhaava, even though it incited a riot.
Film that launched a thousand protests
Fri, March 28 2025
For nearly two hours, Chhaava runs like a mishmash of the testosterone-heavy Marvel and DC universe action spectacles. Here, it leads to one battle after another, as Maratha king Chhatrapati Sambhaji Maharaj (played by Vicky Kaushal) duels against a lion (cue Russell Crowe in Gladiator), excels in aerial fights and takes on the Mughal army, often single-handedly. Accompanied by a bombastic background score by A.R. Rahman, the historical extravaganza comes alive in the last half hour, when the punches are not literal, but verbal. With the protagonist captured and chained, audiences finally get to see the daring hero and his enemy, a haggard Aurangzeb (Akshaye Khanna), in one frame. “Mughalon ki taraf aa jaaao. Zindagi badal jaayegi. Bas tumhein apna dharm badalna hoga (Join hands with the Mughals. Your life will change. All you have to do is convert to Islam),” says Khanna’s Aurangzeb in a final offer of freedom to the brutalised Chhaava. The Maratha king, his spirit untethered, retorts, “Humse haath mila lozindagi badal jaayegi aur dharm bhi badalna nahin padega (Join hands with Marathas. Your life will change and you won’t even have to change your faith).”
Sun, February 16 2025
The Pitt
Drama (English)
The staff of Pittsburgh's Trauma Medical Center work around the clock to save lives in an overcrowded and underfunded emergency department.
Cast:
Noah Wyle, Tracy Ifeachor, Patrick Ball, Katherine LaNasa, Supriya Ganesh
Thrilling, trailblazing; the next best show of 2025 is already here, mere weeks after Netflix’s Adolescence
Sat, April 19 2025
Tears are just grief leaving our body, says Dr Michael Robinavitch in The Pitt. It’s one of the many pearls of wisdom that he drops through the 15-episode first season of the medical drama, which is streaming in its entirety on Jio Hotstar. Known as ‘Dr Robby’ to everyone around him, and those who will never see him again, he is the ‘chief attending’ at a Pittsburgh hospital’s emergency department. His job is to run the day shift as smoothly as he can, despite all the difficulties that the modern healthcare system throws at him. He must do his best with an under-staffed and under-funded team; he must deal with belligerent patients, and, towards the end of the season, an unprecedented tragedy that will require him and his fellow doctors to go above and beyond the call of duty.
Logout
Thriller (Hindi)
Pratyush, a social media influencer who is about to reach his biggest milestone in terms of followers to land a deal with a brand, loses his phone to a fan obsessed with him. Trapped in his own house without his phone, Pratyush must find a way to reclaim his identity and his career.
Cast:
Babil Khan, Nimisha Nair, Rasika Dugal, Gandharv Dewan
Director:
Amit Golani
Writer:
Biswapati Sarkar
(Writing for M9 News)
Decent Cyber Thriller
Sat, April 19 2025
After distancing himself from his family and having just broken up with his girlfriend Smriti, Instagram influencer Pratyush lives alone in his apartment. He’s under pressure to reach the 10 million mark on the platform while competing with a rival. However, his plans go kaput one night when he loses his phone, only to realise that an obsessed female fan stole it. Babil Khan may not be getting the opportunities he deserves, but he is definitely making his presence felt in the digital space with his consistency, representing realities that mainstream cinema often tends to ignore. Logout is no different and is a story apt for his age, driven by a strong screenplay and eliciting a good performance out of him.
Log in to ‘Logout’
Sat, April 19 2025
We all are prisoners of our mobile phones. So, when the very first line of ‘Logout’ reminds you of it as well as drives home precisely why it’s called a cell phone, you can only nod in unison. The same can be said about the entire runtime of the two-hour film. Much of what unfolds is relatable, much has already been documented, maybe with greater precision and depth. But the Amit Golani directorial focuses on the life of an influencer and serves the tale as a psychological thriller; murder in the very first scene. You might be on a familiar path; after all, reams have been penned on the perils of social media, invasion of privacy and cyber frauds. But the way Golani weaves a world where ‘phone hamare liye distraction nahin puri duniya hai’, you are neither distracted by the subject nor its treatment. Rather, you are fully clued in on the fate of this young celebrity.
The fallout of digital dependence
Sat, April 19 2025
There are two sides to digital media influencer connections. The first is the connection created by these influencers—designed, manufactured, marketed, finessed, and posted on their socials. These are aimed at gaining likes, shares, and follows, all to increase the creator’s relevance and brand value. On the other side of the mobile device screen, someone else is consuming this content—often obsessively, even addictively. Writer Biswapati Sarkar’s script for Logout (Zee5) is a cautionary tale that examines how an alarming number of subscribers are entrapped by their ‘cell’ phones.
Khauf
Drama, Mystery (Hindi)
A young woman's hostel room in Delhi hides a history of violence. Haunted by her past, she battles inexplicable forces within the room's confines and beyond.
Cast:
Monika Panwar, Rajat Kapoor, Geetanjali Kulkarni, Abhishek Chauhan, Shilpa Shukla
Director:
Surya Balakrishnan
Writer:
Smita Singh
(Writing for M9 News)
Big Goals, Mediocre Results
Sat, April 19 2025
Leaving her hometown, Gwalior, Madhu seeks a fresh start in Delhi, unaware that her hostel room harbours a sinister presence, alarming the other residents. They urge her to leave before it’s too late. While the warden brings in a shaman (doctor), Madhu pursues her assailant. She confronts him while the hostel women ally with the doctor. Madhu’s rage escalates as she unleashes vengeance. Monika Panwar effectively steps into the shoes of a small-town woman in a vulnerable phase in her life, struggling to find her way in a misogynistic world. Rajat Kapoor, in an unusually creepy role, generates adequate fear and tension through his portrayal of Hakim.
Psychological horror show digs deep, builds dread
Fri, April 18 2025
The choice of a working women’s hostel as the site of dread in this psychological horror show is a smart one: young women streaming in from small towns for jobs and freedom bring with them their histories, and when those unaddressed traumas and personal demons are unleashed, anything can happen. There’s power in ‘Khauf’s premise, and the initial episodes get busy introducing us to the characters we will meet in the eight-part series. Gwalior girl Madhu’s (Monika Panwar) arrival on the same floor on which live a handful of petrified women (Priyanka Setia, Chum Darang, Riya Shukla, Suchi Malhotra) serves as a catalyst for forward movement.
A relentlessly dark tale of human and demonic possession
Fri, April 18 2025
Something sinister is lurking in room 333 of the Pragati Working Woman Hostel – something so dark that it prevents four of the women from ever leaving the building. They haven’t been the same since Anu (Asheema Vardaan), the fifth member of their tight-knit group, moved out six months ago. Things get worse when an unsuspecting new arrival to Delhi moves into the cursed room. Madhu (Monika Panwar) has left her hometown of Gwalior to escape a traumatic incident and be closer to her devoted boyfriend Arun (Abhishek Chauhan). With the help of friends Bela (Aastha Ssidhana) and Nakul (Gagan Arora), Madhu lands a job in Delhi and lands up at the hostel. Her optimism and hopes for a new life are dashed as the hostel turns out to be a house of horrors, inhabited by a hostile gang and a demonic presence that makes Madhu’s life a living hell. The cruelty of Madhu’s neighbors – Nikki (Rashmi Zurail Mann), Komal (Riya Shukla), Lana (Chum Darang), and Rima (Priyanka Setia) – pales in comparison to the malevolent force in room 333.
Kesari: Chapter 2
Drama, History (Hindi)
A dramatization of the life story of C. Sankaran Nair, the lawyer who fought for the truth behind the Jallianwala Bagh massacre.
Cast:
Akshay Kumar, R. Madhavan, Ananya Panday, Mark Bennington, Sammy Jonas Heaney
Director:
Karan Singh Tyagi
Writer:
Karan Singh Tyagi
(Writing for M9 News)
Patriotism Packed in a Courtroom Drama
Sat, April 19 2025
Advocate Sankaran Nair, a key member of the Viceroy’s Council, remains staunchly loyal to the British Crown in his professional tenure—until the 1919 Jallianwala Bagh massacre changes everything. Branded as terrorists, thousands of innocent civilians are slaughtered in cold blood, shaking Nair to his core. As the truth unfolds, he joins forces with a young advocate, Dilreet Gill, determined to hold the British accountable for what they believe to be an act of genocide. Akshay Kumar has always been a perfect foil for plot-driven sagas that have no space for flabby distractions. In the shoes of Sankaran Nair, the seasoned actor delivers a classy performance – his subtle humour, ease with dialogue delivery help him immensely. Ananya Panday, without doubt, is steadily finding her rhythm as a performer, and her portrayal of Dilreet is a firm indicator of her evolution.
‘F***ing’ hard-hitting courtroom drama with lots of creative liberties
Sat, April 19 2025
Just last month, filmmaker Ram Madhvani came up with his Sony LIV web series The Waking of a Nation. It was based on the aftermath of the Jallianwala Bagh massacre and how General Dyer was dragged to the court for the same. Although it was inspired from C Sankaran Nair’s case that shook the British Empire after the massacre, it was a fictionalized version with a fictitious protagonist. Filmmaker Karan Tyagi’s Kesari Chapter 2: The Untold Truth Of Jallianwala Bagh sees C Sankaran Nair himself fighting the case against the British Empire where he accuses the latter of a planned conspiracy in the form of the Jallianwala Bagh massacre that killed more than a thousand Indians gathered at the site for a peaceful protest. Although Tyagi’s film also uses a lot of fiction, it is more impactful than The Waking of a Nation.
Akshay Kumar hammers history in this lopsided period piece
Sat, April 19 2025
Bollywood is going through a ‘sorry’ phase. Last week, in Jaat, Sunny Deol sought an apology from a Sri Lankan extremist. This week, it is the turn of Akshay Kumar to demand an apology from the British government for the Jallianwala Bagh massacre. While the former was an outright piece of fiction, director and co-writer Karan Singh Tyagi takes excessive creative liberty with history to manufacture nationalist sentiment and a hero. It seems that after playing with ancient history, the big boys of Bollywood are meddling with modern history. While the dastardly act of the Empire needs to be exposed, the film, produced by Dharma Productions, milks the sacrifice of martyrs in Jallianwala Bagh to create a trumped-up narrative around the tragic episode.
Arjun S/O Vyjayanthi
Action, Crime, Thriller (Telugu)
In order to protect the people of his village, a man becomes a ruthless vigilante against his police officer mother’s wishes.
Cast:
Kalyan Ram, Vijayashanti, Saiee Manjrekar, Sohail Khan, Srikanth
Director:
Pradeep Chilukuri
Vijayashanthi, Kalyan Ram’s film withers under the weight of a dated tale
Sat, April 19 2025
A scene in the final portions of the Telugu action drama Arjun S/O Vyjayanthi offers a moment of shock, establishing how far the protagonist would go to protect a loved one. Barring that moment, the film is an outdated relationship drama of a mother and son who find themselves at opposite ends of a flawed system. Had the makers approached the story with a new narrative style, perhaps the story’s emotional crux would have had the necessary impact. Instead, the film squanders the potential with its formulaic approach and gets tiresome with each passing action sequence. Vijayashanthi’s formidable presence and Kalyan Ram’s earnestness are in vain. The film unravels with a series of introduction sequences. Vijayashanthi’s introduction sequence doffs its hat to her iconic, tough-as-nails police officer characters in the 1990s. It establishes how she does not buckle under pressure, putting her own safety at risk. As the action sequence unravels, the film, written and directed by Pradeep Chilukuri, is aware that audience will not question how her young son reaches her in the forest even before the rescue team.
Odela 2
(Telugu)
In a remote village, steeped in rich cultural heritage and age-old traditions, its true saviour Odela Mallanna Swamy always protects his village from evil forces.
Cast:
Tamannaah Bhatia, Hebah Patel, Vasishta N. Simha, Naga Mahesh
Director:
Ashok Teja
Writer:
Sampath Nandi
(Writing for The Hindu)
Tamannaah cannot salvage this outdated sequel
Fri, April 18 2025
The 2022 film Odela Railway Station, directed by Ashok Teja and featuring Vasishta Simha and Hebah Patel, was a rural thriller focusing on sexual crimes in a quiet Telangana village. The narrative followed a woman’s chilling revenge after discovering that her husband was the perpetrator. With its use of graphic visuals and a voyeuristic lens on violence, the film, despite its disturbing tone, garnered significant viewership on OTT (Aha Telugu). Ashok Teja and writer Sampath Nandi reunite for its sequel, Odela 2, led by Tamanaah Bhatia, reimagining the story as a supernatural thriller. After meeting with a horrific end at the hands of his wife, Tirupathi (Vasishta N Simha) returns as a vengeful spirit, undeterred and more dangerous. His spirit manipulates a new set of men, reigniting a similar pattern of crimes in the village. As chaos escalates, the stage is set for the arrival of Bhairavi (Tamannaah), a mythical force destined to restore order. A conventional good-versus-evil showdown ensues.
Black Mirror S07
Sci-Fi & Fantasy, Drama, Mystery (English)
Twisted tales run wild in this mind-bending anthology series that reveals humanity's worst traits, greatest innovations and more.
Fri, April 18 2025
Warfare
War, Action (English)
A platoon of American Navy SEALs in the home of an Iraqi family overwatches the movement of US forces through insurgent territory.
Cast:
D'Pharaoh Woon-A-Tai, Cosmo Jarvis, Will Poulter, Charles Melton, Joseph Quinn
Director:
Alex Garland
Writer:
Ray Mendoza
Feels Like a Sobering Admission of America’s Futile, Bloody Invasion of Iraq
Tue, April 15 2025
t’s curious how all the prestige around Hollywood war films – lucrative, quasi-recruitment videos and vanity projects for young actors – was punctured by one joke. More than a decade ago, comedian Frankie Boyle said in a set – “Not only will America go to your country and kill all your people – but what’s worse is, 20 years later, they’ll make a movie about how killing your people made their soldiers very sad.” It’s a stinging line that rightfully sullied the stock character of the haunted American war veteran. Especially, when such films didn’t show similar sensitivity towards the broad-stroked, faceless ‘jihadis’ and innocent civilians, whose lives are boiled down to just being ‘collateral damage’ before the eventual triumph of the American military. What was once a sure shot for an Oscar nomination – through films like Saving Private Ryan (1998), Black Hawk Down (2002), The Hurt Locker (2007) – has now become a relatively more introspective and self-reflective genre, with even filmmakers like Michael Bay making an effort to assess the problematic presence of America in a foreign land, without glorifying their soldiers.
Deeply unnerving and immersive, warfare is filmmaking at its finest
Sat, April 12 2025
After Adolescence’s single take technical brilliance, Warfare’s impeccable sound design, intense storytelling, cinematography and atmospherics will leave you shaken. There is no music, the enemies are barely shown and the entire film is shot at one location. This no-frills innovative approach creates a film so immersive, terrifying and gripping that you want to be evacuated, let alone have popcorn or coffee! Alex Garland’s spectacular war movie can be classified as horror for its edge of the seat, relentless and raw onslaught of terror. He leaves you no room to relax or catch a breath. It strips off the glamour and chest-thumping heroism of war films to give you the real picture. There’s also brotherhood and empathy, surfacing when there’s no expectation. Warfare is a technical masterpiece that never overlooks human emotion and horrors of war. This one’s bound to blow your mind.
The Last of Us S02
Drama (English)
Twenty years after modern civilization has been destroyed, Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the United States and depend on each other for survival.
Cast:
Pedro Pascal, Bella Ramsey, Gabriel Luna, Isabela Merced, Young Mazino
Tue, April 15 2025
The post-apocalyptic drama The Last of Us instantly became a global hit after its release in 2023 on HBO. Based on the enormously popular game, which sees players take on character perspectives, the series returns with a darker tone and new conflicts. The first episode reintroduces viewers to the story while taking the story down a dangerous path that could expose several characters. Co-created by Craig Mazin and Neil Druckmann, The Last of Us Season 2 wastes no time in getting hooked in again. Returning with a five-year jump, the show picks up with an estranged Joel (Pedro Pascal) and Ellie (Bella Ramsey) adjusting to life in Jackson, Wyoming, and integrating within the community there. Within the safe haven, there are lots of little conflicts while other threats seem to be on the horizon. The premiere episode is set around New Year’s Eve 2029, which should indicate promise but instead holds foreboding for the residents of the tight-knit community seeking a peaceful life away from the pandemic and the zombie clickers infecting the rest of the world.