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Guild Reviews

Image of scene from the film Aaryan
Aaryan

Action, Thriller, Crime (Tamil)

A struggling writer announces he'll commit the perfect crime, sparking a tense pursuit as police try to prevent his methodically planned killing spree.

Cast: Vishnu Vishal, Shraddha Srinath, Selvaraghavan, Maanasa Chaudhary, Avinash, Jayakumar, Manoj beads, Jeeva Subramanian, Udhayabanu Mageswaran
Director: Praveen K.
Writer: Praveen K.


FCG Member Reviewer Janani K
Janani K | India Today
Vishnu Vishal stars in murder mystery that murders its own logic

Sun, November 2 2025

Director Praveen K's 'Aaryan' starring Vishnu Vishal, Selvaraghavan and Shraddha Srinath, is a murder mystery. While the film has an interesting premise, it falters in its execution and skewed justification for serial killings.

A good murder mystery and investigation thriller depends solely on the stakes and the balance between hunter and hunted. The film is uplifted when the cop investigating the crime is shown to be equally brilliant as the killer he’s chasing. Vishnu Vishal’s ‘Aaryan’ is one such murder investigation thriller that relies on the brilliance of its characters. But the big question is, does it achieve this balance? Let’s find out!

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Image of scene from the film Black Phone 2
Black Phone 2

Horror, Thriller (English)

Four years after escaping The Grabber, Finney Blake is struggling with his life after captivity. When his sister Gwen begins receiving calls in her dreams from the black phone and seeing disturbing visions of three boys being stalked at a winter camp, the siblings become determined to solve the mystery and confront a killer who has grown more powerful in death and more significant to them than either could imagine.

Cast: Ethan Hawke, Mason Thames, Madeleine McGraw, Demián Bichir, Miguel Mora, Jeremy Davies, Arianna Rivas, Maev Beaty, Graham Abbey, James Ransone
Director: Scott Derrickson
Writer: Scott Derrickson, C. Robert Cargill


FCG Member Reviewer Kshitij Rawat
Kshitij Rawat | Lifestyle Asia
How did the Grabber really return from hell?

Sun, November 2 2025

When hell itself is unable to stop its villain from calling collect, you know a horror franchise just got even more interesting. The Grabber calls back from the afterlife this time, and now he is even more dangerous. Did you think Ethan Hawke’s mask and mallet-clad serial killer was terrifying? Wait till you see what he can do now that he’s dead. This is a callback that we didn’t particularly want addressed, but here we are. Let’s dive into Black Phone 2 story and ending, both of which are explained here.

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Image of scene from the film Diés Iraé
FCG Rating for the film
Diés Iraé

Horror, Thriller (Malayalam)

Rohan's affluent lifestyle spirals out of control as he becomes convinced there is a supernatural entity in his home. As he starts to uncover the mystery, he is drawn into unexpected worlds and alliances, along with the horrors that lie ahead.

Cast: Pranav Mohanlal, Gibin Gopinath, Swathi Das Prabhu, Manohari Joy, Arun Ajikumar, Jaya Kurup, Athulya Chandra, Sushmitha Bhat, Saiju Kurup, Sreedhanya Thekkedath
Director: Rahul Sadasivan
Writer: Rahul Sadasivan


FCG Member Reviewer Janani K
Janani K | India Today
Jump scares, genuine chills make Pranav Mohanlal's film a winner

Sun, November 2 2025

Director Rahul Sadasivan's 'Dies Irae', starring Pranav Mohanlal and Gibin Gopinath, is an immersive horror thriller that is intelligent and never takes the audience for granted. With top-notch making, 'Dies Irae' is a fitting addition to Rahul Sadasivan's filmography.dies-irae

‘Bhoothakaalam’ and ‘Baramayugam’ are two promising horror films that came from Malayalam cinema and also found their audience across the country. These two horror films in particular introduced director Rahul Sadasivan to the world, who, with his penchant for the genre, crafted two brilliant masterpieces that earned the love of the audience. Especially when horror has almost become a joke in Indian cinema, he is back with his third horror film offering, ‘Dies Irae’.

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FCG Member Reviewer Kshitij Rawat
Kshitij Rawat | Lifestyle Asia
Who is haunting Rohan’s house & what do anklets mean?

Sun, November 2 2025

Rahul Sadasivan takes the haunted-house formula and drenches it in dread. Pranav Mohanlal plays Rohan, a smug rich kid whose life spirals into terror after he takes a dead woman’s hair clip home (because why not?). What follows is a prolonged nightmare. This is what happens when you don’t leave a freaking haunted house.

Rahul Sadasivan’s newest horror film, Dies Irae, portrays itself as more than just a haunted house exercise. In addition to jump scares and well-executed visual fright-craft, the title Dies Irae (Latin for “Day of Wrath”) alludes to a reckoning, something ominous. Let’s dive into the story of the Dies Irae movie and ending, explained here. Our hero is called Rohan, and he is the rich-brat-mega-mansion-owner type. Played by actor and Mohanlal‘s son Pranav Mohanlal, he has the house, the money, the parties, the friends. He also has a casual indifference toward those he considers inferior to him, which is pretty much everyone.

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FCG Member Reviewer S. R. Praveen
S. R. Praveen | The Hindu
Rahul Sadasivan delivers one of the finest horror films in Malayalam

Sun, November 2 2025

Rahul Sadasivan crafts a chilling horror experience that transforms everyday moments into sources of dread, further proving his greatness in the genre

Horror really hits home when it is evoked in the mundane. Only when one encounters it in the unlikeliest of forms would the chill seep slowly, imperceptibly down our spine. In Dies Irae, Rahul Sadasivan mines horror out of even a gentle breeze caressing a person’s hair, so much so that after the movie, the feeling of wind in the hair somewhat ceases to be exhilarating as it used to be. There is more…fear, passed on to us through something as commonplace as a ray of light or the click sound of a hair clip.

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Image of scene from the film Single Salma
Single Salma

Comedy, Family (Hindi)

A woman from Lucknow, India, who has dedicated her life to supporting her family, yet continues to be identified as single and “unsettled” due to remaining unmarried.

Cast: Huma Qureshi, Shreyas Talpade, Sunny Singh, Eleanor Williams, Kanwaljit Singh, Navni Parihar, Prabhat Kumar Lahiri, Nidhi Singh, Lauren Gottlieb, Sharon Drain
Director: Nachiket Samant
Writer: Ravi Kumar, Amina Khan


FCG Member Reviewer Upma Singh
Upma Singh | Navbharat Times
कंगना की 'क्वीन' जैसी दमदार तो नहीं, पर असरदार जरूर है हुमा कुरैशी की फिल्‍म

Sun, November 2 2025

हमारे समाज में लड़की तीस की हो जाए, तो घर-परिवार क्या, गांव-जवार, मुहल्ले-रिश्तेदार हर किसी को उसकी शादी की चिंता सताने लगती है। फुसफुसाहट तेज हो जाती है कि इतनी बड़ी उम्र की लड़की से कौन करेगा शादी? इसी रिलेटेबल विषय पर केंद्रित है, हुमा कुरैशी स्टारर फिल्म ‘सिंगल सलमा’, जो लड़कियों के अस्तित्व से जुड़े कई और मुद्दों को पुरजोर तरीके से उठाती है।

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Image of scene from the film Bahubali: The Epic
Bahubali: The Epic

Action, Drama (Telugu)

When a mysterious child is found by a tribal couple near a roaring waterfall, they raise him as their own. As he grows, Sivudu is drawn to the world beyond the cliffs, where he discovers the ancient kingdom of Mahishmati, ruled by a cruel tyrant, haunted by rebellion, and bound to his past. What begins as a quest for love soon unravels a legacy of betrayal, sacrifice, and a forgotten prince.

Cast: Prabhas, Rana Daggubati, Anushka Shetty, Ramya Krishnan, Sathyaraj, Nassar, Subbaraju, Tamannaah Bhatia, Rohini, Tanikella Bharani
Director: S. S. Rajamouli
Writer: S. S. Rajamouli, Madhan Karky, Deva Katta


FCG Member Reviewer Sangeetha Devi Dundoo
Sangeetha Devi Dundoo | The Hindu
SS Rajamouli’s grand vision and storytelling still stand tall a decade later

Sun, November 2 2025

Condensing the two-part ‘Baahubali’ saga into a 225-minute feature, this re-edited, remastered version feels tailor-made for a grand theatrical celebration

To call this a review required careful thought. Strictly speaking, it is a re-release — marking a decade since Baahubali: The Beginning first hit theatres in 2015. But this is no ordinary re-release. After undergoing the required technical upgrades to meet current digital projection standards, the 225-minute-long Baahubali: The Epic arrives as a digitally remastered and re-edited film that condenses both parts of the Baahubali saga into a whole.

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Image of scene from the film Hedda
Hedda

Drama, Thriller, Romance (English)

Hedda Gabler finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.

Cast: Tessa Thompson, Nina Hoss, Imogen Poots, Nicholas Pinnock, Tom Bateman, Finbar Lynch, Mirren Mack, Jamael Westman, Saffron Hocking, Kathryn Hunter
Director: Nia DaCosta
Writer: Nia DaCosta


FCG Member Reviewer Nonika Singh
Nonika Singh | The Tribune
Ibsen’s ‘female Hamlet’ in new light

Sun, November 2 2025

After premiering at the Toronto Film festival, the film had a limited theatrical run

Classic text, a terrific performance not just by its lead heroine Tessa Thompson but other actors too, writing which is both faithful to the original plot and takes its own leap of faith and imagination — ‘Hedda’ is certainly not your average film. Neither is it a frame-by-frame adaptation of the OG. Reimagining famed Norwegian playwright Henrik Ibsen’s play ‘Hedda Gabler’, giving it a queer spin, ‘Hedda’ is obviously held together by its titular character.

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Image of scene from the film Good Boy
Good Boy

Horror, Thriller (English)

A loyal dog moves to a rural family home with his owner Todd, only to discover supernatural forces lurking in the shadows. As dark entities threaten his human companion, the brave pup must fight to protect the one he loves most.

Cast: Indy, Shane Jensen, Larry Fessenden, Arielle Friedman, Stuart Rudin, Anya Krawcheck, Max, Hunter Goetz, Noah Manzoor
Director: Ben Leonberg
Writer: Alex Cannon, Ben Leonberg


FCG Member Reviewer Kshitij Rawat
Kshitij Rawat | Lifestyle Asia
Who really was the dark figure haunting Todd and Indy?

Fri, October 31 2025

Ben Leonberg’s feature debut, transforms a straightforward haunted house tale into a heartbreaking parable about loss. The fact that the entire film is told through the eyes of a loyal dog named Indy is its most intriguing feature

Ever found yourself watching a horror movie and thinking: “Man, the dog knows something we don’t”? If so, then the Good Boy horror movie is tailor-made for you. Helmed by debutant Ben Leonberg, it’s a genuinely fresh spin on the genre. It is told from a narrator who barks (well, mostly whines) instead of speaking and wags instead of walking away. (And yes, your dog will now stare at random corners for entirely justified reasons.) Let’s dive into the Good Boy horror movie story and ending, which are both explained here.

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Image of scene from the film Ballad of a Small Player
Ballad of a Small Player

Mystery, Thriller, Crime, Drama (English)

Amid the glittering casinos of Macau, a gambler running from his past — and his debts — becomes fascinated by an enigmatic woman at the baccarat table.

Cast: Colin Farrell, Fala Chen, Tilda Swinton, Deanie Ip, Alex Jennings, Jason Tobin, Adrienne Lau, Anthony Wong Chau-Sang, Jessica Lai, Margaret Cheung
Director: Edward Berger


FCG Member Reviewer Udita Jhunjhunwala
Udita Jhunjhunwala | Mint, Scroll.in
(Writing for Scroll.in)
Visually dazzling film never quite hits the emotional jackpot

Thu, October 30 2025

‘Conclave’ director Edward Berger’s new film stars Colin Farrell, Fala Chen, Tilda Swinton, Deanie Ip and Alex Jennings.

Edward Berger makes a dramatic and thematic shift from his previous movie Conclave with Ballad of a Small Player. Conclave was a taut, fictional feature about the secretive papal elections at the Vatican. Ballad of a Small Player, which is out on Netflix, is an occasionally tense, atmospheric and over-stylised character study set in Macau’s glittering gambling halls. Adapted by screenwriter Rowan Joffe from Lawrence Osborne’s 2014 novel, the film explores cycles of addiction and greed against a backdrop of ritual, superstition and neon decadence. Colin Farrell plays Lord Doyle, a British gambler with mounting debts and a troubled past.

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Image of scene from the film Down Cemetry Road
Down Cemetry Road

Drama, Crime, Mystery (English)

When a child goes missing in the aftermath of a house explosion, a concerned neighbor teams up with a private investigator to find them. As secrets unravel and a military conspiracy emerges, all hell is unleashed on South Oxford's sleepy suburbs.

Cast: Emma Thompson, Ruth Wilson, Adeel Akhtar, Nathan Stewart-Jarrett, Tom Goodman-Hill, Darren Boyd, Tom Riley, Adam Godley, Sinead Matthews, Ken Nwosu


FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Emma Thompson, Ruth Wilson's British Conspiracy Thriller Ticks All The Right Boxes

Wed, October 29 2025

Based on the novel by Slow Horses writer Mick Herron, the drama series finds two women chasing down an impossible lead.

The eight-episode series, Down Cemetery Road, has a conspiracy plot that rivals another Apple TV show, Slow Horses. The similarities arise since both are adapted from author Mick Herron’s books. In this current series set in Oxford, a concerned neighbour finds herself being gaslit by those around her and stumbles upon a larger cover-up. Led by stalwart British talents Emma Thompson and Ruth Wilson, the twisty will keep you on the edge until its satisfying finale.

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Image of scene from the film Avihitham
FCG Rating for the film
Avihitham

Comedy (Malayalam)

In a village full of men and gossip about affairs, the narrative reveals how society absurdly judges and monitors women's identities.

Cast: Unni Raja, Renji Kankol, Rakesh Ushar, Dhanesh Koliyat, Vineeth Vasudevan, Vrindha Menon, Ajith Punnad, Unnikrishnan Parappa, Aneesh Chemmarathi, Vijisha Nileshwaram
Director: Senna Hegde
Writer: Senna Hegde, Ambareesh Kalathera


FCG Member Reviewer Tusshar Sasi
Tusshar Sasi | Filmy Sasi
Secrets and scandals in sleepy Kanhangad

Wed, October 29 2025

Senna Hegde’s Avihitham opens with the tagline “Made in Kanhangad.” Where is Kanhangad? And what makes anything made there special, let alone a film? For those who discovered Malayalam cinema during the lockdown, the state might seem like a uniform patchwork of modern ideas and shared sensibilities. Avihitham, which examines adultery, is steeped in its local dialect, landscape, and cultural texture. It can very much amuse someone from Kerala’s Kottayam or Kollam despite never being a utopia. What remains universal here, though, is the social morality that thrives on exposing a “fallen woman,” teaching her a lesson, and eventually discarding her.

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FCG Member Reviewer Subha J Rao
Subha J Rao | Independent Film Critic
(Writing for Made in Mangalore)
Of furtive love, and the obvious lack of it

Sun, October 19 2025

Senna Hegde’s movie on adultery and what it does to a village is a wonderful masterclass on male ego, voyeurism and hypocrisy.

There are many things women in India are terrified of, and with good reason. Walking on a lonely road after dark, being a lone female traveller in a bus, checking and double checking the surroundings before opening one’s car door, checking the bathrooms in public places for hidden cameras, verifying if hotel rooms are safe, if trial rooms are safe, if online chats are safe… in every single place, a woman is reduced to her body, and her individuality erased. Senna Hegde’s delightful yet punch-to-the-gut Avihitham (translates into illicit) adds one more to the list — a male tailor proudly claims he can size up a woman’s chest, waist and hip just by seeing her. Thanks sir, one more thing to be very afraid about.

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FCG Member Reviewer S. R. Praveen
S. R. Praveen | The Hindu
Senna Hegde’s indie rediscovery indicts prying eyes

Sat, October 11 2025

Sans any big stars and propelled by the strength of its narrative, Hegde returns to his roots and sort of rediscovers his ‘indie’ mojo in ‘Avihitham’

The simplest of stories, even the seemingly unappealing ones, can turn into fairly engaging pieces of cinema once it gets into the right hands. In Avihitham, filmmaker Senna Hegde, who co-wrote the film with Ambareesh Kalathera, does not have an elaborate story to tell, but teases out several strands out of it to pull off something which keeps one engaged.

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Image of scene from the film A House of Dynamite
A House of Dynamite

Thriller, War (English)

When a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.

Cast: Idris Elba, Rebecca Ferguson, Gabriel Basso, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram, Jonah Hauer-King, Greta Lee, Jason Clarke
Director: Kathryn Bigelow
Writer: Noah Oppenheim


FCG Member Reviewer Priyanka Roy
Priyanka Roy | The Telegraph
Takes the tension to claustrophobic levels... and then fizzles out

Tue, October 28 2025

There is nothing wrong with an inconclusive ending. Many popular films — some even cult classics, without a shred of doubt — have ended on a note that invites speculation many decades later. Think The Shining. Think Donnie Darko. Think The Inception. But what about an ending which is not really an ending, ambiguous or otherwise? One which builds its tension to claustrophobic levels in the first hour and then allows it to inexplicably dissipate in the next? A House of Dynamite — Kathryn Bigelow’s latest look at how we could be seconds away from being wiped out of existence in this age of nuclear weaponry — is that kind of film. As one review aptly noted about this film — A House of Dynamite is good… until it isn’t.

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Image of scene from the film Param Sundari
FCG Rating for the film
Param Sundari

Romance, Drama, Comedy (Hindi)

In Kerala's picturesque backwaters, a North Indian and South Indian find unexpected love. Their cultural differences spark a hilarious and chaotic romance, full of twists and turns.

Cast: Sidharth Malhotra, Janhvi Kapoor, Manjot Singh, Sanjay Kapoor, Inayat Verma, Renji Panicker, Siddhartha Shankar, Anand Manmadhan
Director: Tushar Jalota
Writer: Gaurav Mishra, Aarsh Vora, Tushar Jalota


FCG Member Reviewer Akhil Arora
Akhil Arora | akhilarora.com
A Spotify Review

Tue, October 28 2025

FCG Member Reviewer Suhani Singh
Suhani Singh | India Today
Why 'Param Sundari' is all show and little soul

Tue, September 2 2025

Param Sundari's narrative, set in stereotyped Kerala, doesn't quite make hearts flicker; the Janhvi Kapoor-Sidharth Malhotra jodi isn't a fun opposites-attract story either

In the popular teen romance series Summer I Turned Pretty, adapted from Jenny Han’s books by the same name, leading lady Belly speaks of how she just can’t imagine marrying someone who doesn’t give her the “fireworks”“you know, like electric jolts, every time I see them”. In Tushar Jalota’s Param Sundari, Kerala’s most eligible girl Sundari (Janhvi Kapoor) finds herself in a similar conundrum when Punjabi munda Param (Sidharth Malhotra) strolls into her life (read homestay) believing she is his soulmate. Only unlike Belly’s karmic connection to Conrad, to whom the observation is made, Param and Sundari hardly exude MFEO (made for each other) vibes. And this despite having Sonu Nigam sing a pretty good romantic number in Pardesiya.

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FCG Member Reviewer Arnab Banerjee
Arnab Banerjee | Indpendent Film Critic
(Writing for The Daily Eye)
Same old love story returns

Sun, August 31 2025

North Meets South, Clichés Meet Screen

Param Sundari, directed by Tushar Jalota and starring Sidharth Malhotra and Janhvi Kapoor, attempts a North-meets-South romance but falls flat. Laden with clichés, forced chemistry, and predictable tropes, the film struggles despite Kerala’s beauty, sidekick humour, and forgettable music. At 136 minutes, this Bollywood rom-com offers visual delight but little substance, proving yet again that cross-cultural love stories need more than recycled stereotypes and surface spectacle. India’s diversity has long been the go-to spice rack for Bollywood romances, and our filmmakers haven’t missed a single masala. From Raanjhanaa to Two States and Goliyon Ki Raasleela Ram-Leela, we’ve seen lovers playing Romeo and Juliet across caste lines, language barriers, and angry elders wielding moral outrage like a family heirloom. So, it’s no surprise that Param Sundari joins the tradition—this time with a Punjabi munda and a Malayali miss, thrown together in a cross-cultural curry that aims to be spicy but ends up more sambhar-lite.

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